Evaluates the appeal and content of this genre. The lesson looks at Horror and Mystery novels as a non-video game pursuit that is especially intriguing to boys. The key features of this genre discussed by the Studio Class include the timeless theme of good vs. evil, the appeal of a puzzle that needs solving, the emphasis on brain power over force, and the traditionally savvy nature of the protagonist.
Grade levels: Senior High (10-12)
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Adventure and Sports Novels
Defines criteria for evaluating Adventure and Sports-oriented novels. The Studio Class discusses the features of Adventure novels that make or break their usefulness in class. The five common elements of Sports novels are detailed. Videotaped inserts include two different Readers’ Theater presentations and an interview in which Walter Dean Myers shares his ideas on the writing process.
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Censorship of Young Adult Literature
Discusses censorship from diverse viewpoints: authors, students, educators and the community at large. Common bases of censorship such as sex, politics, religion, language, and stereotyping are examined, and the Studio Class debates these issues from both pro-censorship and anti-censorship points of view. A Librarian at the Chicago Public Library gives her opinion, and the author’s viewpoint is presented through interviews with Lois Lowry, Judy Blume, Walter Dean Myers, and Paul Zindel.
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How to Use “Banned” Books
Explores the ways in which teachers can authenticate the use of censored books in the classroom. Topics of discussion include the importance of keeping up-to-date on a book’s censorship status, some reasons why teachers may want to use a banned book and the ways in which parents and community organizations can help teachers change public attitudes about banned books. The 100 most frequently-challenged books are listed in the Study Guide.
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Creating Thematic Units
Explores over thirty popular themes for related Language Arts units. The concepts of “Single Issue Study” and “Thematic Units” are discussed. Students are guided in finding multiple diverse ways of helping young adult readers connect to the material and find ways to make sense of the their world. The importance of student-driven input, discovery, and response is emphasized.
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Autobiographies, Biographies and Personal Experiences
Explores criteria for selecting literature for theme units. The Studio Class reviews the components of a good thematic language arts unit, emphasizing the five features that aid teachers in selecting the right book for the unit. Also included are the five steps to meaningful Readers’ Theater activities and sources for finding scripts and support material. A demonstration of Readers’ Theater is offered in a videotaped presentation of “Lincoln: in His Own Words”.
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Politics of Young Adult Literature
Summarizes how culture, tradition, and stereotyping influence young adult literature. This class examines how literature serves as an agent for socialization for young people, how the current media culture is influencing reader expectations, and how the business of publishing is shaping literary offerings to the young. The use of short stories in the classroom is also discussed. Studio Guest: Dr. Diane DuBose Brunner (Michigan State University).
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History as Literature – History Facts vs. Fiction
Offers criteria for evaluating historical literature. Studio Class discussion centers on such topics as the place of political correctness in period literature, the delicate balance between literary license and historical accuracy, and the educational value of literature from a perspective of history. Studio Guest: Dr. Diane DuBose Brunner (Michigan State University).
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Using Drama in the Literature Class
Establishes guidelines for incorporating dramatics in the classroom. This lesson covers various approaches to fostering classroom dramatics. Topics include role-playing, improvisation, choral reading and Readers’ Theater. Discussion also touches on ways to encourage classroom students to write and produce original dramatic works for audio or video recording.
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Drama: Bringing Literature to Life
Models dramatic use of literature in the classroom. The play “Fences” is used to demonstrate how drama can be used in the classroom. Students and professional actors recreate a scene from the play and discuss the play as a whole. A local teacher shares her process for transitioning her English students into drama study. Studio Guest: Cheryl Hague, Teacher (Crete-Monee High School, IL) and University Lecturer (Governor State University).